MaybeMattis

Hi, it's great that you've found your way to this site and are taking the time to read this text. In fact, I don't want to keep you for long, there's a lot to discover (not necessarily just here, the Internet is vast and full of wonders). But if you want to take a look around here, I'd be very happy if you did. What you can expect: a bunch of texts about video games and most importantly soundtracks. Being born in 92 I was blessed growing up with gems like The Settlers 2, Half-Life 2, and the Flight Simulator 98 . Back then, I played pretty much everything on the PC that my gaming fingers could get their hands on.

What has always fascinated me most about video games, films and series was the music. Because of the music from The Sims I began playing the piano. Unfortunately, my talent was at a similar level to my strategic understanding of Anno 1602I started collecting soundtracks when I got my first PC. My collection now comprises almost 2800 albums (as of April 2023), and my goal is to have heard them all - heard and rated them. Why? A simple collecting instinct and the desire to make musical discoveries.

But because this really does involve a lot of work and, above all, time, I would like to share my experiences with you. Of course, like any form of art, music is subjective. But if you hear Call of Duty 2 does that make you think of good music? Or did you know that the same composer of Dragon Age: Origins and Crysis ? Or that the piano pieces from the above-mentioned Sims was in fact freestyled? Well now you do. I promise no revelations, no ultimate ratio. Just my opinion and my knowledge. Partly nostalgically glorified, always subjectively colored. If that's enough for you, you'll find a few tips and hints for good and bad music on this website. For a condensed impression of the wonderful world of game music, I recommend taking a look at my list of Top 100 video game tracks, in which I (obviously) list the my 100 best titles from video games. Have fun browsing!

Game Review, MaybeGames

Thronebreaker: The Witcher Tales

16. August 2020 /

„Gwent“, das Kartenspiel, das seinen Ursprung als Minigame in The Witcher 3 hat, war für mich eines der zahlreichen Highlights dieses Meisterwerks, die Multiplayer-Auskopplung Gwent: The Witcher Card Game von 2016 hingegen nur ein Symptom des Sammelkartenspiel-Hypes, der irgendwann 2015 begann und eine Vielzahl von mittelguten bis schlechten Spiele hervorbrachte. Selbige versuchten durch die Bank, vom Konjunkturhoch des Genres und den Spielerzahlen des Platzhirschs Hearthstone zu profitieren. Da ich zu dem Veröffentlichungszeitpunkt der Witcher-Variante noch viel Zeit mit Blizzards Grindingmühle verbrachte, fasste ich das Spiel trotz Free-to-play-Model erst gar nicht an. Vielleicht war das auch der Grund, warum ich viel später erst auf Thronebreaker: The Witcher Tales stieß – die…

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soundtracks, video games

Universe at War: Earth Assault

1. April 2020 /

Universe at War war das dritte Spiel der des Entwicklerstudios Petroglyph Games, das ein Jahr zuvor das sehr gute Star Wars: Empire at War sowie dessen Addon Forces of Corruption auf den Markt brachte. Ohne starke Lizenz versuchte das junge Studio, ein Strategiespiel irgendwo zwischen StarCraft und Command & Conquer mit Aliens der Marke Krieg der Welten zu entwickeln. Mich hat es damals nicht angesprochen ergo: nicht gespielt. Wertungstechnisch liegt das Game im guten Durchschnittsbereich, aber weil die Musik vom Altrockmeister Frank Klepacki kam, der auch die gesamte C&C-Reihe bis Renegade begleitet hat, dachte ich mir, ich höre doch mal rein. Und was soll ich sagen: Es klingt auch so.

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