Quake: Scourge of Armagon
Music to my ears
In the immortal words of Professor Hubert J. Farnsworth: "Good news everyone!" The reason being that the music for the two mission expansions Scourge of Armagon and Dissolution of Eternity was not composed by musician Trent Reznor, as in the main game, but by Korean composer Jeehun Hwang. Thankfully, he produces something that can be classified as video game music with certainty - that's a step forward.
The score
Unfortunately, that's about it when looking at the positive side, because the eight tracks of the OST (which, according to the fan wiki , are officially untitled, but some of them are buzzing around the airwaves with names) hardly get beyond a mere 'nice'. At least that's my conclusion after listening to the tracks from 1997.
For an uninspired shooter game from back then, the mix of C&C (PandemoniumJeehun Hwang, Back Into ActionJeehun Hwang, Approaching ScourgeJeehun Hwang), orchestral borrowings (Twisted RealityJeehun Hwang) and thriller (Abandon HopeJeehun Hwang, Demise of the FiendsJeehun Hwang, Cathedral of BlasphemyJeehun Hwang) is certainly suitable. However, tracks like Hell FortressJeehun Hwang or the beginning of Approaching ScourgeJeehun Hwang seem to be borrowed from a fantasy game from the Might & Magic or Soul Reaver-series. It doesn't quite fit together for me, but it's still an improvement on the ambient mix of the main game.





