Overwatch 2
Old strengths, new weaknesses
I don't want to go into detail here and vent my displeasure, so let me just say that my rating from December 3, 2022 would look a little different today. Instead, I want to check whether it was possible to build on the old glory days, at least on an acoustic level. After all, most Blizzard games were able to impress in the musical sector despite their poor standing and Overwatch is considered an orchestral experience for me.
Right from the start, Overwatch 2 makes it clear with A New Era that we are not in for a change of style. Once again, Neal Acree, Adam Burgess and various other composers produce a firework-like display of music, with the 26 tracks being inspired by big Hollywood blockbusters. Once again, we hear dominant brass, booming beats and a soundscape that you would normally expect from a superhero movie like Spider-Man: Into the Spider-Verse. Once again, the tracks can be divided into different clusters, in this case map and event themes, short and long cinematic pieces and others. And again, it's just fun to listen to!
Basically, I can't tell you much that's new, even though many of the old themes unfortunately don't reappear. We Press on is a slightly more upbeat version of the old Rally the Heroes, which plays at the start of the game, but apart from that, the soundtrack is free from the legacy of its predecessor. Sometimes this works better, sometimes worse. It's a shame, but understandable. And as the tracks still appear in Overwatch 2 today's players can still enjoy these masterpieces.
Even though the music is fundamentally similar to that of its predecessor, it is clear that Overwatch 2 has deviated somewhat from the orchestral heroic epic. More tempo, more beats, more experimentation. The score thus also reflects the changes in the game without denying its origins. However, due to nostalgia, I liked the original a little better. Overall, the score falls a little short of my expectations, which is not surprising given the exclamation mark that the OST of the predecessor represented. A listen is definitely recommended. Actually playing it? That's another story ...
Nostalgia warning
No. | Title | Artist(s) | Ratings |
---|---|---|---|
01 | A New Era | Adam Burgess; Mark Petrie | |
02 | Midtown | Adam Burgess | |
03 | Zero Hour | Adam Burgess; Neal Acree; Sam Cardon | |
04 | Kiriko Origin | Justin Welgraven; Adam Burgess | |
05 | Answering the Call | Adam Burgess | |
06 | Esperança | Edouard Brenneisen | |
07 | Kiriko | Adam Burgess; Justin Welgraven | |
08 | We Press on | Adam Burgess; Derek Duke; Neal Acree | |
09 | Antarctic Penninsula | Jon Everist | |
10 | Colosseo | Adam Burgess | |
11 | Lifeweaver Origin | Richard Jacques | |
12 | Circuit Royal | Adam Burgess | |
13 | Null Sector | Jon Everist; David Arkenstone | |
14 | Junker Queen Origin | Adam Burgess; Adam Gubman | |
15 | Loverwatch | Adam Burgess | |
16 | Shambali Monastery | Adam Burgess | |
17 | New Blood | Adam Burgess | |
18 | Cyber Demon Genji | Adam Burgess | |
19 | Paraíso | Adam Burgess | |
20 | New Queen Street | Adam Burgess | |
21 | Starwatch | Adam Burgess | |
22 | Ramattra Origin | Adam Burgess; David Arkenstone | |
23 | Wrath of the Bride | Jon Everist | |
24 | The Wastelander | Adam Burgess | |
25 | Sojourn Origin | Adam Burgess | |
26 | Flow [Bonus] | Adam Burgess |