BioShock 2
Dystopian darkness in the floodlight
As a player, meeting the two was always a special thrill; that moment when the first tremors and whale-like moans announced his arrival and "Mr. Bubbles" leisurely shuffled past us was always a highlight for me. In BioShock 2 , however, this fascination was a little less noticeable. As a special twist, we (unsurprisingly) no longer play the protagonist from part 1, but slip into the role of the deep-sea guard ourselves!
A great approach that not only offered new gameplay possibilities such as underwater walks and companion passages (wohoo!), but also allowed the narrative to get to know Rapture from a completely different angle. Nevertheless, the story couldn't quite match that of its predecessor, which wasn't to be expected considering the great plot twist towards the end. I certainly enjoyed the game at the time, even if you should probably pick up the first BioShock for a real scary atmosphere.
Where the game continues seamlessly, however, is the soundtrack quality. The OST, which runs under the title BioShock 2: Songs from the Lighthouse was once again composed by Garry Schyman and continues his style from part 1. Once again, we are presented with an album that raises the hairs on the back of our necks one second before one moment later all hell breaks loose. Alongside the piano, the string instrument literally plays first fiddle once again and oscillates between sad, tragically drawn interludes and scratchy, creaky jumpscare moments.
Fans of games like Dead Space will get their adrenaline pumping with tracks such as Big Sister on the Move, Send Him Howling Back to Hell or Escape, while fans of BioShocks well-known balancing act between sad melancholy (Ten Years Later, How She Sees the World) and a dark horror feeling (The Abyss, Entrance to Eden) will also get their money's worth. Meanwhile, parallels to Schyman's later work on Shadow of Mordor become clear in Destroying the Lobby.
It is interesting to note that the composer expands his repertoire for worldbuilding, for example by imitating stomping noises using rhythmic percussion (Grace Under the Sun, Lockdown March) or creating bustling swarms of rats in our mind's eye through the seemingly chaotic disarray of the strings (Out the Airlock). Also new are the jazz and blues borrowings, which give tracks such as Cult of Lamb or Welcome to the Drop [Alternate with Vocal] a noir touch by means of saxophone solos and female vocals. This creates a certain Golden Age Hollywood feeling.
This is not least due to the second part of the score, which is known as the Licensed Soundtrack . With classics such as (How Much Is) That Doggie in the Window by Patti Page, patriotic war songs (Praise the Lord and Pass the Ammunition) or songs by Frank Sinatra, this features the usual mix of songs from the 30s to 60s, as we know them from the Fallout-series, for example.
Meanwhile, my personal highlight, alongside the aforementioned dramatic Big Sister on the Move, is the enchantingly depressing theme Pairbond. This has not only made it into my Top 15 saddest tracks , but is even in my Top 100 Videogame-Tracks. So I'll quote myself briefly at this point:
The what-could-have-been hangs heavy over Pairbond, the theme song to the underwater horror shooter BioShock 2. The lone violin soulfully plays a melody full of bitterness and longing, accompanied by more strings, which watch the events like a crowd of silent observers, but do not join in. The melody remains alone before fading away into the darkness.
Me about Pairbond from Top 15 Saddest tracks
Consequently, I give the OST two thumbs up towards the surface.
Nostalgia warning
BioShock 2: Songs from the Lighthouse
No. | Title | Artist(s) | Ratings |
---|---|---|---|
01 | Pairbond | Garry Schyman | |
02 | Waking Up in 1959 (Multiplayer Main Menu) | Garry Schyman | |
03 | Ten Years Later | Garry Schyman | |
04 | Protecting His Charge | Garry Schyman | |
05 | Welcome Back | Garry Schyman | |
06 | Cult of Lamb | Garry Schyman | |
07 | Out the Airlock | Garry Schyman | |
08 | How She Sees the World | Garry Schyman | |
09 | Grace Under the Sun | Garry Schyman | |
10 | The Abyss | Garry Schyman | |
11 | Big Sister on the Move | Garry Schyman | |
12 | Send Him Howling Back to Hell | Garry Schyman | |
13 | Eleanor's Darkness | Garry Schyman | |
14 | That Symbol on Your Hand | Garry Schyman | |
15 | Drained Memories | Garry Schyman | |
16 | Entrance to Eden | Garry Schyman | |
17 | Persephone | Garry Schyman | |
18 | Cell Block | Garry Schyman | |
19 | Lockdown March | Garry Schyman | |
20 | Welcome to the Drop [Alternate with Vocal] | Garry Schyman | |
21 | Under the Tracks [Unused with Vocal] | Garry Schyman | |
22 | Research | Garry Schyman | |
23 | Destroying the Lobby | Garry Schyman | |
24 | Gil's Entertainment | Garry Schyman | |
25 | Escape | Garry Schyman | |
26 | Eleanor's Lullaby | Garry Schyman |
BioShock 2: Licensed Soundtrack
No. | Title | Artist(s) | Ratings |
---|---|---|---|
01 | The Boogie Man | Todd Rollins | |
02 | (How Much Is) That Doggie in the Window | Patti Page | |
03 | 20th Century Blues | Noel Coward | |
04 | Nightmare | Artie Shaw and His New Music | |
05 | Daddy, Won't You Please Come Home? | Annette Hanshaw | |
06 | Praise the Lord and Pass the Ammunition | Kay Kyser & His Orchestra | |
07 | Dawn of a New Day (Song of the World's Fair) | Horace Heidt & His Musical Knights | |
08 | Night and Day | Billie Holiday & Her Orchestra | |
09 | My Heart Belongs to Daddy (feat. The Eddy Duchin Orchestra & Mary Martin) | Eddy Duchin | |
10 | Chasing Shadows | Django Reinhardt; Stephane Grappelli; Quintette Du Hot Club de France | |
11 | Jitterbug Waltz | Fats Waller and His Rhythm | |
12 | I Cover the Waterfront | Connie Boswell | |
13 | Mental Strain at Dawn | Jack Purvis | |
14 | Bei mir bist du schön | Benny Goodman & His Orchestra; Martha Tilton | |
15 | The Trouble with Me Is You | Red McKenzie | |
16 | The Skeleton in the Closet | Putney Dandridge | |
17 | We Saw the Sea | Fred Astaire | |
18 | La Mer (Beyond the Sea) | Django Reinhardt; Stephane Grappelli | |
19 | We Three (My Echo, My Shadow and Me) | The Ink Spots | |
20 | It's Only a Paper Moon | Frank Sinatra | |
21 | Paper Doll | The Mills Brothers | |
22 | Ten Cents a Dance | Ruth Etting; Benny Goodman | |
23 | Hush, Hush, Hush, Here Comes the Bogeyman | Henry Hall & His Orchestra | |
24 | You Always Hurt the One You Love | The Mills Brothers | |
25 | The Devil and the Deep Blue Sea | Benny Goodman | |
26 | Daddy's Little Girl | The Mills Brothers |