soundtracks,  video games

Earth 2160

Year: 2005
Type: Original Soundtrack (OST)
Composer(s): Maciej Pawłowski
Number of tracks: 32


Upspaced

It's really a shame that I can't say much more to conclude the Earth-series than: finally! Because after I had embraced the predecessor, Earth 2150, Earth 2160 was a bigger disappointment for me than a game of Memory with Olaf Scholz. And yet, there were some exciting ideas here: Modular construction mode, hero units, a new alien faction, and a fresh setting on Mars all offered opportunities to keep the sci-fi brand relevant.

But despite the packaging even coming with flashing LEDs, Earth 2160 was simply forgettably bad: Poor AI, boring and detail-lacking environments, an uninspiring story, and this feeling that the wrong adjustments had been made exactly where they shouldn't. With this realization, I ventured into new territory at the time, after all, until then every game in my young life had always been better than its predecessor... a sobering experience.

Okay, the game wasn't that great, we got it. What about the soundtrack? Once again, Maciej Pawłowski was hired, who gave Earth 2150 its unmistakable mix of militaristic action and orchestral musical power. Whether due to nostalgia for one or my dislike for the other, I wanted to like the soundtrack of Earth 2160 less than that of its predecessor... and was proven wrong. Pawłowski demonstrates a great deal of care with his composition, as the score represents a successful evolution of the Earth-formula.

Just as in the game, musically, we move away from the green planet and into the depths of space – or the atmosphere-poor surface of Mars. Instead of 'grounded' music, the OST offers us much more often space atmosphere akin to Star Trek and Star Wars. This is manifested in the common sci-fi tropes like long reverberating tones that suggest vastness, perhaps even infinity. For example, the Aliens and Ambient-tracks sound mysterious, fueled by a selection of strings and lonely flutes that pleasantly alternate between a sense of wonder and nostalgia.

Overall, the OST positions itself much more strongly in the realm of contemplation and, compared to its predecessor, even allows us space to breathe despite the vacuum. For someone like me who greatly enjoyed the brute force of Earth 2150 , this reduces the density of top ratings somewhat. And the fact that the War-tracks sound more like Horror meets Warhammer doesn't help. Conversely, pieces like Ambient 05 or Day 02particularly excite me, as their dramatic nature evokes memories of the predecessor. And with the UCS-tracks, at least a bit of classical feeling has made it into the OST.

At the same time, the composer introduces new instruments such as church bells (ED Theme), a ticking clock (Day 04), or even shrill vocals (LC Fraction), adding new sound facets to the known. This provides enough material to serve as a small differentiator from OSTs like that of Star Trek: Armada II , but occasionally also evokes associations with clichéd fantasy scores. Personally, I don't mind that instead of being on the surface of the red planet, we could sometimes find ourselves in a magical forest from Kingdoms of Amalur ; however, purists might find this rather off-putting.

The dramatic space arias End Credits (Live Your Life) and Must Be Strong with their Keep-Going spirit are new approaches and won't be for everyone – personally, I can enjoy them, as long as I don't pay attention to the lyrics... like with many pop songs. Generally, I was positively surprised after listening to the score again. Pawłowski simply manages to give this lousy piece of software something resembling an identity and almost makes it appealing. While I can conscientiously advise against the latter, I would like to simultaneously recommend the OST. Anyone in the mood for a bit of an Aliens-feeling and Star Trek-allure will feel right at home here.


Nostalgia warning

The rating of the individual tracks is purely subjective and clearly colored by my own experience with the game. You can find out more in the article About Nostalgia.

No.TitleArtist(s)Ratings
01Must Be StrongMaciej Pawłowski55/5
02Aliens ThemeMaciej Pawłowski33/5
03Aliens FractionMaciej Pawłowski33/5
04Ambient 01Maciej Pawłowski22/5
05Ambient 02Maciej Pawłowski11/5
06Ambient 03Maciej Pawłowski33/5
07Ambient 04Maciej Pawłowski22/5
08Ambient 05Maciej Pawłowski55/5
09ED ThemeMaciej Pawłowski55/5
10ED FractionMaciej Pawłowski55/5
11Day 01Maciej Pawłowski44/5
12Day 02Maciej Pawłowski55/5
13Day 03Maciej Pawłowski33/5
14Day 04Maciej Pawłowski44/5
15Day 05Maciej Pawłowski44/5
16Day 06Maciej Pawłowski44/5
17Defeat ThemeMaciej Pawłowski22/5
18LC ThemeMaciej Pawłowski55/5
19LC FractionMaciej Pawłowski44/5
20UCS ThemeMaciej Pawłowski44/5
21UCS FractionMaciej Pawłowski33/5
22Victory ThemeMaciej Pawłowski44/5
23War 1Maciej Pawłowski44/5
24War 2Maciej Pawłowski44/5
25War 3Maciej Pawłowski33/5
26War 4Maciej Pawłowski44/5
27War 5Maciej Pawłowski44/5
28War 6Maciej Pawłowski33/5
29War 7Maciej Pawłowski55/5
30War 8Maciej Pawłowski44/5
31War 9Maciej Pawłowski44/5
32End Credits (Live Your Life)Maciej Pawłowski55/5

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